Posts tagged ‘Pop Culture’
Letter to My Rapist (Part 2)
I’m a Monster
I’m a Maven
I know this world is changing
Never gave in
Never gave up
I’m the only thing I’m afraid of.
No matter what, you’ll never take that from me
My reign is as far as your eyes can see.
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Letter to My Rapist (Part I)
In the aftermath of Brock Turner’s heinous crimes and Judge Aaron Persky’s revictimization of Emily Doe, a Yale alumna is inspired to communicate with her rapist.
Help Wanted (2015)
See also “Help Wanted (2010)”
This California Professional
Feels like Tom Hanks in Big
Dreams of flying and purging
Is at once worldly and naïve
Lacks bargaining power
Needs agency.
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Excerpt from “Under Pressure: The UCI Law School Musical”
NARRATOR: Law school, even “the ideal law school for the 21st century,” has a tendency to bring out the worst in people, particularly as finals approach (which basically applies to every day (except maybe during orientation). Although I made a lot of lifelong friends and opened many doors, law school became quite a struggle, especially during the final semester. The most common problematic themes I witnessed during my three-year stint were entitlement, lack of self-reflection, hidden insecurities, “Mean Girl” behavior, and . . . oh yes . . . greed.
♫ ♫ ♫ ♫ ♫ ♫
BRAD: Thank you so much for meeting with me, Ricky. I really appreciate you taking time from your busy schedule.
RICKY: No problem! Actually, things are super chill this year, what with my federal clerkship and firm job taken care of. I don’t even bother to go to any of my classes. What are they gonna do . . . not let me graduate and help boost this school’s graduation rate and reputation?
BRAD: That’s exactly why I think you’re the guy to talk to. I mean, some of the 3Ls have positions with A-/B+ firms. But Remington, Orr, Young, Gibson, Boyd, Irving & Vance is an A+ firm.
RICKY: Well, you’re right about that. Quite frankly, I didn’t come to law school to work 80 plus hours a week for an A- or—God forbid—B+ firm. Besides, the A+ firms have the deepest pockets. [winks]
[dollar signs flash in BRAD’s eyes]
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Excerpt from “Who Wants to Marry a Savant?”
Nicole Mitchell was her name. All of the girls at our high school called her “Nicole Bitchell” because, as I often overheard, she was a “heinous bitch on wheels.” I didn’t know Nicole well enough to confirm the accuracy of all the rumors that surrounded her, and I didn’t care. All I know is that she had an exceptional voice.
I was a freshman. She was a senior. We had dress rehearsal the night before the opening of the spring pop show, and all the choirs were practicing together for the first time. The freshman show choir had just finished our final song, and we sat on the risers instead of leaving the stage. We cleared a path in the middle for Nicole, who planned to begin her performance of “River Deep, Mountain High” right after our number ended. Our choir director told us to pretend we were at a concert with Nicole as the main attraction.
Nicole entered the stage at the top center of the risers as the fog machine began to gently huff. She wore a white, strapless dress that was so tight you could practically see the outline of her ovaries and so short you could . . . Her curves spilled out of both sides of the dress, and her tangerine stilettos added nearly half a foot to her petite stature. The background music began to play as Nicole slowly strutted down the risers. I gazed upward at her, as instructed by our director, as she drew the microphone to her plump lips.
When I was a little girl
I had a rag doll
The only doll I ever owned
Now I love you just the way
I loved that rag doll
But only now my love has grown
Nicole paused on the last step. She tilted her neck back.
And it gets STRONGER in every way
And it gets DEEPER let me say
And it gets HIGHER day by day
Nicole arrived at the front center of the stage just before she began singing the chorus. Her chestnut hair cascaded down her back, ending at the top of her ample backside.
And do I love you, my oh my?
River deep, mountain high, YEAH, YEAH, YEAH
If I lost you, would I cry?
Oh how I love you, baby, BABY, BABY, BABY!
When she began the next verse, I felt a sensation—foreign yet familiar. I don’t remember the rest of the performance. I just remember feeling giddily nauseated by her white-hot aura.
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Excerpt from “Safe Mode”
I was so busy—and so distracted—I almost didn’t find time to read Google’s newest updates to its privacy policy. The changes would be enacted on March 15, and the symbolism was not lost on me. With less than an hour before the consummate adjustment, a friend dropped off a hard copy of the policy updates. She had altered the text so that a video camera couldn’t easily pick it up.
The apprehension festered in the pit of my stomach. I read down the page to the important part:
Whenever you use our services, we aim to provide you with access to your personal information. If that information is wrong, we strive to give you ways to update it quickly or to delete it – unless we have to keep that information for legitimate business or legal purposes.
A rigid lump welled up in the back of my throat. The broad scope of the language made me dizzy. I scanned the rest of the document. The policy was concise, so I quickly memorized it. Of course, I could have summed it all up in one sentence. But let’s not go there yet.
As I drove toward The Dalles, the following language kept playing in the back of my mind:
Where we can provide information access and correction, we will do so for free, except where it would require a disproportionate effort. We aim to maintain our services in a manner that protects information from accidental or malicious destruction. Because of this, after you delete information from our services, we may not immediately delete residual copies from our active servers and may not remove information from our backup systems.
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Lolly’s Top 5 Hip Hop Hits of 2010
See also Lolly’s Top 5 Hip Hop Hits of 2008 and 2009. Coming very soon: Lolly’s Top 5 Hip Hop Hits of 2011!
I have no life. Law school is my controlling, jealous, guilt-tripping mistress/mister. I have been meaning to finish this post since December of 2010! The one thing I always have time for is listening to the radio on my commute to and from school. While top 40 stations leave a lot to be desired, they always have a steady supply of upbeat hip hot hits.
2010 was an incredible year for hip hop!! Eminem solidified his professional and personal comeback with his June 21 release of Recovery. “Not Afraid” and “Love the Way You Lie” (featuring Rihanna) topped the charts, and his other singles and collaborations also enjoyed much success. Rihanna and Beyoncé continued to excel popularly and critically. Kanye West graduated with a PhD from Hip Hop University, and Runaway was his dissertation (Runaway transcends categorization and ranking, so it is not included in the Top 5). Hip hop dominated top 40 charts, and many of the hits were memorable. Below are my five favorite hits from 2010:
Runner-ups: “Nothin’ on You” by B.o.B. featuring Bruno Mars, “Bottoms Up” by Trey Songz featuring Nicki Minaj, “My Chick Bad” by Ludacris featuring Nicki Minaj, “Fuck You” by Cee Lo Green, “Hey Baby (Drop It to the Floor)” by Pitbull featuring T-Pain
#5 Young Money featuring Lloyd − “Bedrock”
#4 Far*East Movement featuring Cataracs and Dev − “Like a G6”
#3 Kid Cudi featuring MGMT − “Pursuit of Happiness”
#2 Nicki Minaj − “Your Love”
#1 Chris Brown featuring Tyga and Kevin McCall — “Deuces”
The Lollygabber 
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